SURGIPELAGO the Beach Surgery encyclopedia

From Surgipelago, the Beach Surgery encyclopedia

Turkish adaptations of Beach Surgery

This article surveys adaptations originating in Turkey and diaspora Turkish-speaking communities. For individual works, consult the entries listed below.

Turkish and Turkish-diaspora adaptations of Beach Surgery engage shadow-puppet theatre (Karagöz), experimental durational work, and site-specific installation, grounding the novel in Anatolian traditions of embodied narrative, material memory, and sacred incompleteness.

Karagöz and Shadow-Puppet Traditions

Karagöz ve Leif—Koku Sahnesi (ongoing since 2018), based in Istanbul, adapts Beach Surgery scenes as shadow-plays where character boundaries dissolve—Katita and the mechanical seagull merge into single silhouettes; Leif's three injuries become shadow-properties themselves, puppetry-language for paralysis. The title's "Koku Sahnesi" (Scent Scene) signals synaesthetic expansion: incense and herbal smoke rise from beneath the translucent screen, rendering Kármán resonance as olfactory presence [1].

Experimental and Durational Theatre

The controversial Yerevan Dome Collapse (disputed date; status unknown [citation needed]) operated as an immersive work where actors moved through a collapsing concrete structure representing the glitch as architectural failure and historical ruin. Later Turkish experimental collectives staged refusal through durational movement—actors holding silence and impossible posture for seven-hour stretches, embodying Leif's three paralyses as sacred incompleteness. Tbilisi Kármán Whisper (2021–ongoing), though Georgia-based, draws heavily on Istanbul collective methodologies.

Cinema, Installation, and Archive

Turkish experimental cinema has produced short works treating the novel as meditation on cyclical time and eternal return in post-Ottoman contexts. Installation works layer projected text, earth-sound recordings, and tactile materials (leather, red desert dust, woven cord), exhibited at regional biennial contexts; documentation remains sparse due to censorship and institutional ambivalence [citation needed].

See also

References

  1. ↑ Karagöz ve Leif archive statement, Istanbul shadow-puppet collective, 2022.